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TR-909 | |
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TR-909 Front Panel | |
Manufacturer | Roland |
Dates | 1983–1985 |
Price |
US$1,195 UK£999 JP¥189,000 |
Technical specifications | |
Polyphony | 12 voices |
Timbrality | none |
Synthesis type |
Analog Subtractive and Digital Sample-based Subtractive |
Aftertouch expression | No |
Velocity expression | Yes |
Storage memory | 96 Patterns, 8 Songs |
Effects |
Individual level, tuning, attack, decay, and tone controls for some sounds |
Input/output | |
Keyboard | 16 Pattern Keys |
External control | MIDI In/Out & DIN Sync In |
The Roland TR-909 Rhythm Composer is a drum machine introduced by the Roland Corporation in 1983.[1] It was the first Roland drum machine to use samples (for its cymbal and hi-hat sounds) alongside analog sounds.[2] Designed by Tadao Kikumoto, who also designed the Roland TB-303 synthesizer,[3] the 909 features a 16-step step sequencer and drum sounds that aimed for realism and cost-effectiveness. It is fully programmable, and like its predecessor, the TR-808, it can store entire songs with multiple sections, as opposed to simply storing patterns. It was the first MIDI-equipped drum machine. Around 10,000 units were produced.[4]
Roland launched the 909 in 1983, three years after the launch of its predecessor, the TR-808.[5] Whereas the 808 uses completely analog sounds, the 909 drum machine also uses samples (for its cymbal and hi-hat sounds).[2]
As with the 808, the 909 did not sound as realistic as the Linn and Oberheim that dominated the upper end of the drum machine market. As with the TB-303, the realism of the TR-909 was limited by technical constraints, and this showed when the machines were released at relatively low prices before its rise in popularity, coinciding with the beginnings of techno and acid house. More expensive, sample-based drum computers were better at faithfully reproducing real drum sounds, while the TR-909 sounded synthetic.[6]
One of the first Roland instruments to be equipped with MIDI connectivity, a system that enables computerized instruments to communicate with each other. It features a music sequencer with which users can chain 96 patterns into songs of up to 896 measures. It also had numerous controls, such as "shuffle" and "flam". It sounds more realistic than its predecessors, and was moderately successful; however, the advent of purely sample-based drum modules would soon cause its demise.
Like the 808 before it, the 909 came to be held in reverence by music producers, hip hop music DJs and beatmakers, and techno and other electronic dance music DJs. As the 808 became important in the development of hip-hop, the TR-909 influenced dance music, such as techno and house music.[7][8] The
TR909 soundset is part of Roland's AIRA TR-8 drum machine. On September 9, 2016, more than 30 years after the TR909 was introduced, Roland declared the day "909 Day." The event is being celebrated by the unveiling of over 30 new instruments, one of which was an updated version of the TR909 called the TR-09. Unlike its purely analog ancestor, the TR-09 is powered by the same analog modeling technology that powers the AIRA TR-8. The TR-09 is part of Roland's Boutique product line.
The drum kit contains the following sounds:
All drums except for the hi-hats and cymbals are synthetically generated; there is an oscillator circuit with a dedicated filter and envelope curve. The hi-hats and cymbals are 6-bit samples, compressed and combined with a volume envelope curve (and tuning) to allow slight modification. Thanks to the analog circuitry, various aspects of the drum sound can be modified (pitch, attack, decay).
There is also a feature called "accent"—a primitive means of humanizing the drumbeat. In a simplified model of a drummer and a kit, the loudness of the sound created would basically depend on the velocity at which the drummer hits a given part of the kit. A human drummer can emphasize certain notes by playing them louder, and the accent parameter provides a means to boost a particular step.
The TR-909 also features a sequencer — the 16 buttons along the bottom of the interface correspond to the 16th notes of a single bar in 4/4 meter. For example, punching the buttons 1, 5, 9 and 13 on the bass drum part would create a simple "four to the floor" beat. Multiple patterns can be grouped or chained together which allows the user to create drum patterns that are longer than one bar in length or, alternatively, create drum patterns in compound meters outside of 3/4 or 4/4.
While the sequencer is running, a light runs from step 1 to step 16.
The TR-909 has several editing modes: pattern editing where one focuses solely on the 16 steps, and track editing, which allows for chaining various patterns in a row. Because it has MIDI, it's also possible to control other instruments with the sequencer.
This machine and its unique sequencer (both Roland and other manufacturers used either a grid-based sequencer, showing the dots on an LCD, or another method that did not display the pattern at all) were the basis for so-called grooveboxes — self-contained compact synthesizer workstations with rudimentary keyboards and pattern-based sequencers, aimed at creators of electronic music, using sample-based sound generation and a number of realtime controls.
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Other manufacturers have made similar devices:
(Grooveboxes are not included in this list as they contain more than just drums, though they may have copied the principle of the 16-step sequencer.)
Synthesizers | |
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Drum machines and grooveboxes | |
Samplers, workstations and modules | |
Amplifiers and effects units |
This article uses material from the Wikipedia article "Roland TR-909", which is released under the Creative Commons Attribution-Share-Alike License 3.0. There is a list of all authors in Wikipedia
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