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Tarantella (Italian pronunciation: [taranˈtɛlla]) is a group of various folk dances characterized by a fast upbeat tempo, usually in 68 time (sometimes 188 or 44), accompanied by tambourines. It is among the most recognized forms of traditional southern Italian music. The specific dance-name varies with every region, for instance tammurriata in Campania, pizzica in the Salento region, Sonu a ballu in Calabria. Tarantella is popular in Southern Italy and Argentina.
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Tarantella

Tarantella

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    Tarantella (Italian pronunciation: [taranˈtɛlla]) is a group of various folk dances characterized by a fast upbeat tempo, usually in 6
    8
    time
    (sometimes 18
    8
    or 4
    4
    ), accompanied by tambourines.[2] It is among the most recognized forms of traditional southern Italian music. The specific dance-name varies with every region, for instance tammurriata in Campania, pizzica in the Salento region, Sonu a ballu in Calabria. Tarantella is popular in Southern Italy and Argentina.

    History

    In the Italian province of Taranto, Apulia, the bite of a locally common type of wolf spider, named "tarantula" after the region,[3] was popularly believed to be highly poisonous and to lead to a hysterical condition known as tarantism.[4] This became known as the Tarantella. R. Lowe Thompson proposed that the dance is a survival from a "Dianic or Dionysiac cult", driven underground.[5] John Compton later proposed that the Roman Senate had suppressed these ancient Bacchanalian rites. In 186 BC the tarantella went underground, reappearing under the guise of emergency therapy for bite victims.[6]

    Courtship vs tarantism dances

    The stately courtship tarantella danced by a couple or couples, short in duration, is graceful and elegant and features characteristic music. On the other hand, the supposedly curative or symptomatic tarantella was danced solo by a victim of a Lycosa tarantula spider bite (not to be confused with what is commonly known as a tarantula today); it was agitated in character, lasted for hours or even up to days, and featured characteristic music. However, other forms of the dance were and still are couple dances usually either mimicking courtship or a sword fight. The confusion appears to arrive from the fact that the spiders, the condition, its sufferers ('tarantolati'), and the dances all have similar names to the city of Taranto.[7]

    The dance originated in the Apulia region, and spread throughout the Kingdom of the Two Sicilies. The Neapolitan tarantella is a courtship dance performed by couples whose "rhythms, melodies, gestures, and accompanying songs are quite distinct" featuring faster more cheerful music. Its origins may further lie in "a fifteenth-century fusion between the Spanish Fandango and the Moresque 'ballo di sfessartia'." The "magico-religious" tarantella is a solo dance performed supposedly to cure through perspiration the delirium and contortions attributed to the bite of a spider at harvest (summer) time. The dance was later applied as a supposed cure for the behavior of neurotic women ('Carnevaletto delle donne').[8]

    There are several traditional tarantella groups: 'Cantori di Carpino', 'Officina Zoé', 'Uccio Aloisi gruppu', 'Canzoniere Grecanico Salentino', 'Selva Cupina', 'I Tamburellisti di Torrepaduli'.

    The tarantella is most commonly played with a mandolin, a guitar, an accordion and tambourines. Flute, fiddle, trumpet and clarinet are also used.

    The tarantella is a dance in which the dancer and the drum player constantly try to upstage each other by playing faster or dancing longer than the other, subsequently tiring one person out first.

    Tarantism

    Tarantism, as a ritual, has roots in the ancient Greek myths. Reportedly, victims who had collapsed or were convulsing would begin to dance with appropriate music and be revived as if a tarantula had bitten them. The music used to treat dancing mania appears to be similar to that used in the case of tarantism though little is known about either. Justus Hecker (1795–1850), describes in his work Epidemics of the Middle Ages:
    A convulsion infuriated the human frame [...]. Entire communities of people would join hands, dance, leap, scream, and shake for hours [...]. Music appeared to be the only means of combating the strange epidemic [...] lively, shrill tunes, played on trumpets and fifes, excited the dancers; soft, calm harmonies, graduated from fast to slow, high to low, prove efficacious for the cure.[9]
    The music used against spider bites featured drums and clarinets, was matched to the pace of the victim, and is only weakly connected to its later depiction in the tarantellas of Chopin, Liszt, Rossini, and Heller.[10]

    While most serious proponents speculated as to the direct physical benefits of the dancing rather than the power of the music a mid-18th century medical textbook gets the prevailing story backwards describing that tarantulas will be compelled to dance by violin music.[11] It was thought that the Lycosa tarantula wolf spider had lent the name "tarantula" to an unrelated family of spiders, having been the species associated with Taranto, but since L. tarantula is not inherently deadly,[11] the highly venomous Mediterranean black widow, Latrodectus tredecimguttatus, may have been the species originally associated with Taranto's manual grain harvest.

    Tarantella ballet

    The Balanchine ballet Tarantella is set to the Grande Tarantelle for Piano and Orchestra, Op. 67 (ca. 1866) by Louis Moreau Gottschalk, reconstructed and orchestrated by Hershy Kay. The profusion of steps and the quick changes of direction that this brief but explosive pas de deux requires typify the ways in which Balanchine expanded the traditional vocabulary of classical dance.

    Notable tarantellas

    Classical music

    Other uses

    In literature

    • A performance of the tarantella was central to the plot of Henrik Ibsen's play A Doll's House.
    • In Susan Sontag's 1992 novel The Volcano Lover: A Romance, Lady Emma Hamilton shocks her company by dancing a tarantella.
    • Hilaire Belloc's 1929 poem "Tarantella" mimics in words the progress of the dance, culminating in the stillness of death. Online versions of the poem vary: a reliable printed version can be found in The Oxford Book of Modern Verse.
    • Tim Powers' 2015 novel "Medusa's Web" uses the 18/8 version of the tarantella and its effect on (supernatural) spiders as a major plot device.

    In film

    In games

    In manga/anime

    • In "Axis Powers Hetalia", Southern Italy/Romano cures his disease by dancing the tarantella with Spain. One of the songs sung by him, "The Delicious Tomato Song", is a tarantella.

    See also



    This article uses material from the Wikipedia article "Tarantella", which is released under the Creative Commons Attribution-Share-Alike License 3.0. There is a list of all authors in Wikipedia

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